Robert Plant Gets Whole Lotta Love from Winnipeg
by tarryrob on 2011-06-24Centennial Concert Hall - WinnipegRobert Plant’s new group “Band of Joy” is aptly named. One need only watch the ex-Led Zeppelin singer’s facial expressions and interaction with his fellow musicians to know he’s sincerely having the time of his life onstage. It might seem hard for some to imagine how a rock god who once fronted arguably the greatest hard rock group of all time could be so comfortable in a relatively small (though acoustically superb) theatre like Winnipeg’s Centennial Concert Hall, after having headlined at Winnipeg Stadium (now Canad Inns) at Manpop Festival with Led Zeppelin in 1970, but such is the enigma of Robert Plant. The singer is clearly an artist who is at peace with his hard rock legacy and is far more interested in stretching his artistic horizons by exploring his blues, folk, gospel, celtic, rockabilly & country roots than trading on past glories. Though Plant may be trying to put his rock star days behind him, it didn’t stop the Winnipeg crowd from greeting the “Stairway to Heaven” hitmaker, comfortably attired in blue jeans, boots and an untucked dark shirt to a rock star standing ovation as the band took the stage. The veteran frontman opened the night with a tip of the hat to his old band, kicking off with the pumped up, riff heavy “Black Dog,” reimagined as more restrained bluesy, rockabilly duet sung with Patti Griffin, one of many reworked Zeppelin songs, which included classics such as “What is and What Should Never Be,” “Misty Mountain Hop,” “Ramble On” and “Gallows Pole.” As a diehard Zep fan, I didn’t know how I’d react to tampering with classic Page/Plant arrangements, but many of the new versions worked surprisingly well, providing new layers of nuance and sophistication to the songs. The veteran rocker’s voice is still powerful, but the 62-year old singer uses his range judiciously, allowing Griffin to handle some of the higher vocal lines. But enough of the old Robert Plant of old still surfaces in voice, stage moves and charisma to remind fans of why he was (and remains) one of the premiere rock lead vocalists of his era. That said, Plant clearly checked his rock star ego at the door as he happily stepped in the background, and allowed Griffin, lead guitarist Buddy Miller and multi-instrumentalist Darrell Scott to take on lead vocal duties. Far from booing, the crowd clearly enjoyed the change and even gave Scott a standing ovation after his vocal spotlight on the Porter Wagoner cover “A Satisfied Mind,” threatening to steal Plant’s thunder. The audience enjoyed the tracks performed from the Band of Joy album such as the Los Lobos cover “Angel Dance,” Richard Thompson’s “House of Cards” and Plant’s interpretation of the traditional “Satan Your Kingdom Must Come Down.” They also loved guitarist Miller’s vocal rendering of “Somewhere Trouble Don't Go Play” (which featured Plant blowing some mean blues harp) and Patti Griffin’s sensational “Ocean of Tears,” but in the final analysis it was Plant taking center stage and dusting off the Zep classics “Misty Mountain Hop” and “Ramble On” in the home stretch that brought the entire house to it’s feet and earned Band of Joy a “Whole Lotta Love” from the Winnipeg audience and an encore.