The material on Blue Christmas might have been great. Unfortunately it seemed that the singers and the background band were having a contest to see who would be heard and spent the night yelling into the mikes, and increasing the volume. Most of the time, the band won. There were times the base was so loud that the seats and the walls vibrated. The Jubilee was built for superior acoustics but one would never know that from the volume of the background. There was certainly no need for any of the accompanying vocalists because they could never be heard. I am not sure why the sound check people assume that the sound is at an appropriate level when patrons need to yell to speak to the person seated beside them. A concert like this caters to an 'older' crowd, most of whom do not want the din and volume at the levels that the younger generation listen to their music. This was noise pollution at its worst. The only songs to which I actually heard the words were the Traveling Mabels and Charley Major's Evening Side, both of which were accompanied only by guitars. I had really gone to hear the Reverend Elvis sing some of the Elvis songs, and he might have done that but it certainly was a struggle to hear him over the noise of the band. I had heard the Huron Carol previously and was looking forward to this rendition, but the vocalist was completely drowned out by the band. The hoop dancer was excellent, the dancers with Reverend Elvis need much more practice. This concert just reinforced my resolve not to attend another concert because of the headache I develop by halfway through the program because the sound monitor is deaf when he sets the volume levels.