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Natalia Lafourcade Tickets

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About

Natalia Lafourcade on Tour

One of the more colorful and charismatic pop artists to emerge in Mexico during the early 2000s, Natalia Lafourcade debuted in 2003 with a fascinating solo effort before switching to a rock band format, Natalia y la Forquetina, and proved herself worthy of acclaim in whatever guise she chose. Born Natalia Lafourcade Silva on February 26, 1984, in Mexico City, she took an early interest in music, for her parents were musicians. She knew at an early age that she wanted to become an artist, and over the course of her childhood she studied accordingly: painting, theater, and music, including such instruments as flute, guitar, piano, and saxophone, as well as singing. Though she attended a Catholic middle school, Instituto Anglo Español, Lafourcade spent several years living with her mother in Coatepec, Veracruz, Mexico, where they both studied music. Some of her cited contemporary influences are Fiona Apple, Björk, Café Tacuba, and Zuco 103.

With time, Lafourcade was taken under the wing of Loris Ceroni, a well-regarded Italian producer perhaps best known for his work with Alejandra Guzman. Recording at Le Dune Estudios in Italy, he produced the bulk of what would later be released by Sony Norte as Natalia Lafourcade (2003), with the remainder of the album produced by Aureo Baqueiro back in Mexico. An eclectic, free-spirited album encompassing everything from gentle, bossa nova-style acoustic guitar to hard-hitting dance beats, often within the same song, Natalia Lafourcade is a fascinating album of pop confetti anchored by well-written songs and charismatic singing. It found a captive audience in Mexico, generating four hit singles ("En el 2000," "Busca un Problema," "Elefantes," "Te Quiero Dar"), topping the album chart, and going three-times platinum. Moreover, it wasn't only consumers that were captivated by the album, as Lafourcade earned four Latin Grammy nominations for her debut effort: Song of the Year ("En el 2000"), Best New Artist, Best Rock Solo Vocal Album, and Best Rock Song ("En el 2000"). She also earned a standard Grammy nomination for Best Latin Pop Album.

In 2004, the following year, Lafourcade assembled a four-piece rock band, Natalia y la Forquetina, also comprised of Alonso (drums, programming), Chanona (guitar, bass guitar), and Yuno (accordion, keyboards). Fernando Eimbcke, a filmmaker who had directed the video for "En el 2000," invited Lafourcade and her new band to record a song for the soundtrack to his film Temporada de Patos (2004). The song, "Un Pato," is a reinterpretation of a traditional bossa nova, "O Pato," and it marked the debut of Natalia y la Forquetina. Meanwhile, the band worked on a full-length album with producer Emmanuel del Real, aka Meme, from the band Café Tacuba, and also with Baqueiro once again.

The resulting album, Casa (2005), is indeed the product of a genuine rock band, with surging electric guitars driving many of the songs. Though considerably more one-dimensional than Lafourcade's self-titled debut, and not quite as successful, Casa nonetheless spun off some hits, topped the album chart, went platinum in Mexico, and won a Latin Grammy for Best Rock Album by a Duo or Group with Vocal. Furthermore, the band arrangement facilitated Lafourcade's emergence as a concert performer, and indeed, she took Natalia y la Forquetina on the road, touring extensively throughout Mexico over the course of a year's time. Their last show was August 18, 2006, after which point Lafourcade disbanded la Forquetina with plans to resume her solo career. ~ Jason Birchmeier, Rovi

Setlists

    1. 1.Apertura cancionera
    2. 2.Cancionera
    3. 3.De todas las flores
    4. 4.Cariñito de Acapulco
    5. 5.Pajarito colibrí
    6. 6.María la Curandera
    7. 7.Como quisiera quererte
    8. 8.El palomo y la negra
    9. 9.Soledad y el mar
    10. 10.Nunca es suficiente
    11. 11.El lugar correcto
    12. 12.Mi tierra veracruzana
    13. 13.Tú sí sabes quererme
    14. 14.Lo que construimos
    15. 15.Hasta la raíz
  1. Encore

    1. 16.Cocos en la playa
    1. -Apertura cancionera
    2. 1.Cancionera
    3. 2.De todas las flores
    4. 3.Pajarito colibrí
    5. 4.María la Curandera
    6. 5.Soledad y el mar
    7. 6.La Llorona ([traditional] cover)
    8. 7.Como quisiera quererte
    9. 8.Cocos en la playa
    10. 9.Mi tierra veracruzana / La bamba
    11. 10.El lugar correcto
    12. 11.Tú sí sabes quererme
    13. 12.Cucurrucucú paloma (Tomás Méndez cover)
    14. 13.Nunca es suficiente
    15. 14.Un derecho de nacimiento
    16. 15.Hasta la raíz
    1. 1.Cancionera
    2. 2.De todas las flores
    3. 3.Cariñito de Acapulco
    4. 4.Pajarito colibrí
    5. 5.María la Curandera
    6. 6.Soledad y el mar
    7. 7.Como quisiera quererte
    8. 8.Amor de mis amores (Agustín Lara cover)
    9. 9.La Llorona ([traditional] cover)
    10. 10.Nunca es suficiente
    11. 11.Tú sí sabes quererme
    12. 12.Mi tierra veracruzana / La bamba
    13. 13.Hasta la raíz
    1. 1.Cancionera
    2. 2.Mascaritas de cristal
    3. 3.De todas las flores
    4. 4.Pajarito colibrí
    5. 5.María la Curandera
    6. 6.Soledad y el mar
    7. 7.La Llorona ([traditional] cover)
    8. 8.Amor clandestino
    9. 9.Como quisiera quererte
    10. 10.Cocos en la playa
    11. 11.Mi tierra veracruzana / La bamba
    12. 12.El lugar correcto
    13. 13.Tú sí sabes quererme
    14. 14.Nunca es suficiente
    15. 15.Lo que construimos
    16. 16.Cucurrucucú paloma (Tomás Méndez cover)
    17. 17.Un derecho de nacimiento
    18. 18.Hasta la raíz
    1. 1.Apertura cancionera
    2. 2.Cancionera
    3. 3.De todas las flores
    4. 4.Pajarito colibrí
    5. 5.María la Curandera
    6. 6.Soledad y el mar
    7. 7.La Llorona ([traditional] cover)
    8. 8.Mi última canción triste (Sílvia Pérez Cruz cover)
    9. 9.Cucurrucucú paloma (Tomás Méndez cover)
    10. 10.Como quisiera quererte
    11. 11.Mexicana hermosa
    12. 12.Mi tierra veracruzana / La bamba
    13. 13.El lugar correcto
    14. 14.Tú sí sabes quererme
    15. 15.Nunca es suficiente
    16. 16.Un pato (João Gilberto cover)
    17. 17.En el 2000
    18. 18.Lo que construimos
    19. 19.Hasta la raíz

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