Not to be outdone by the other fine acts in this year's Progressive Nation tour, Dream Theater put on a show not soon to be forgotten. Scale the Summit came on first, and these young guys from Houston Texas set the stage right away. Composed of a lead and a rhythm guitarist, bassist and drummer (yes you read correctly no vocalist), they exhibited their superior styling of a very well developed and enthralling blend of Joe Satriani instumentalism and progressive elements quite reminiscent of Dream Theater, especially with their drummer Pat Skeffington as a close parallell of Portnoy's energetic playing.
Next on the docket was Bigelf, mixing progressive stylings with a classic rock sound reminiscent of Deep Purple, expecially thanks to the use of a Hammond B3 organ (okay, the green acrylic drum set helped too).
The next performance almost stole the show. Zappa Plays Zappa came onstage, and as if on cue, the entire crowd got on their feet. For anyone who has yet to discover Zappa, this was a performance for the ages. Extreme musicianship was shown on the parts of Dweezil, even through his calm and cavalier stage presence he pulled of his fathers extremely complex and auditorally enthralling runs and solos. Scheila Gonzalez's performance on saxophone was unforgettable, delivering a performance for the ages on the flute, keys, vocals and the aforementioned saxophone. Billy Hulting's performance on marimba was also just as majestic, as the band decided to improvise solos for the last song. Throughout the performance I was cast into amazement how drummer Joe Travers hadn't collapsed from exhaustion, pulling of all of the insanely difficult solos, odd time signatures and beats flawlessly. The most poignant moment was during guitarist Jamie Kime's performance, where he stopped for a moment, held the guitar up and said, "Rest in peace Les Paul," whom had just passed away the day before.
Les' spirit and the spirit of music were in the air that night, and you could feel it in the uneasiness in the crowd before Dream Theater's set that night. Suffice to say there was a very large amount of black being worn that night, many young people gathered for Dream Theater performance that night were also completely blown away by Zappa and company, and cast into doubt over the extremely highly acclaimed talents of Dream Theater. However, Dream Theater met all expectations and exceeded them, Petrucci, Portnoy, Myung, Rudess and Labrie were spot on. In fact, upon the opening power chords of A Nightmare To Remember, the band could not be heard over the sheer volume of the crowd screaming. Rudess lived up to his nickname of the Keyboard Wizard by wearing a red wizard hat during his solo and dazzling the crowd with performances on the keys, keytaur, continuim and even an iPhone! Petrucci also payed his respects to Les Paul, and was also met by a large cheer from the audience. Portony's playing and sense of humour were also spot on, taunting the audience during a break in Erotomania whether or not to go on. Labrie's voice has fully recovered since his injury in 1994, and was able to pull off the extremely vocally challenging Voices. Petrucci and Myung were also great partners in crime, pulling off the many complex solos and unison buildups flawlessly. And as a special treat for Toronto fans, the band covered the Camera Eye by Rush for the first song of the encore, following in their tradition of playing Rush songs at many Canadian concerts. Much buzz was about in the audience of the band playing the new fan favourite The Count of Tuscany, and the band did not fail to disappoint, playing it for the final song.
This was a top-notch performance by all the bands, displaying their various takes on the progressive genre with energy, professionalism, and musicianship of another stratosphere.