We saw Gord Downie and The Country of Miracles at The Kee to Bala in July 2010. It was a typically humid Muskoka night and The Kee was brimming with excited locals and cottage-rich city fans. Despite all the members of TCOM being accomplished musicians with impressive pedigrees attached; the set kept stopping and starting in an uneven cadence of awkward unpolished hesitations. Even Gord as conductor couldn't seem to hold it together with any kind of cohesion. But, the beer was flowing and the crowd was dancing and I don't think you could have found a single complainant in the whole place. Besides, The Grand Bounce had already established itself as the soundtrack of our summer. Good show, we thought.
Cut to November 2010. We were treated to an astonishingly different, more comprehensive performance which featured more relaxed banter between band members and the crowd. Plus, this show offered a much more complete, better rehearsed and meaningful set list featuring more diverse arrangements, the introduction of new instruments and less timid attempts to animate the music.
But, above all else, Gordon Downie revealed himself to be not just one of Canada's all time and foremost song smiths; but also a consummate performance artist. Throughout the concert Gord took time crafting unparalleled, original art using only the rudimentary tools of a Pyrex dish, coloured gels and cardboard cut-outs. These images were displayed by opaque projection in a steadily evolving backdrop revealing themselves as companion pieces presented as the intricate tableau of each songs individual subject. We were awe-struck by the innovation. And, as each brilliantly layered image was revealed, applause followed with chesire cat grins as though Gord had whispered a little secret into everyone's ear.
In place of "music video" designed to coach a listeners thoughts through a narrative; instead think "music art" where a canvas is presented as a clue and invitation for the listener to be interloper in the artist's mind and apply their own imagination enroute to their individual, decided destination.
Don't (11th) fret TTH fans. I don't doubt Mr. Downie will be back to his day job sometime soon to satiate the loyal Canadian legions with a taste for arena sized rock songs. There are plenty left to be written, I'm sure. But, for the summer of 2010 Gord seemed fully at ease sharing with us his summer vacation, and I thank him for all the lovely postcards he carefully crafted along the way.
M