And old favourite swept into Toronto in late June and brought some southern bayou, cali beach, and north college with it. Cracker, the alt-country outfit formed in the early nineties by singer David Lowery and guitarist Johnny Hickman, captivated onlookers at Lee's Palace with a sample of their twenty-year thick catalogue of songs.
In just over two hours and two encores, Cracker exhausted much of the top flight recordings that have made them one of modern music's more frustrating, invigourating, underrated and unappreciated outfits. Being unable to pin down Cracker's music, sensibilities, and the appropriate musical vehicle for Lowery to throw his raspy, tune-bending vocals at, fans and critics and have long been struck by Cracker's propensity to re-shuffle themselves creatively.
And at Lee's Palace, Cracker played true to form.
Blending the elements of punk, soul, alt-country, riff-rock and bluegrass into their songs and then seamlessly weaving those songs into a coherent set, Cracker satisfied the nearly full venue. For those who remember Lowery and Hickman as the originators of the early nineties college rock incarnation, "Euro-trash Girl," "Teen Angst" and of course, "Low", brought out a euphoric, infectious sing-along, producing some of the biggest smiles and animated posturing from the musicians themselves. Those more interested in the current release "Sunrise in the Land of Milk and Honey" had the opportunity to sample most of their newer, alt-leaning album, with "Show Me How This Thing Works" and "Turn On,Tune in Drop Out With Me" being their most promising of current tunes. The more seasoned fan, one who witnessed all that came between, had an embarrassment of genres to experience again. The sweet soul of "St.Cajetan," the locomotive "Movie Star" and "1000 Power Maximum," plus the country-western "Mr.Wrong" and ""Lonesome Johnny Blues." All the hum, scratch, and twang were there.
And all was not business, either. A cake was ushered onto the stage early on while drummer Frank Funaro grabbed the lead vocals for the bands notable "Happy Birthday To Me" in recognition of his birthday, providing a lighter heart to the whole affair.
There were some issues with the performance itself, however. Unfortunately, with only the four players onstage and no keyboard, piano or a gospelish backup vocal arrangement, memorable songs were either scratched ("Big Dipper") or somewhat thinner ("Sweet Thistle Pie"). Furthermore, the absence of songs from their 2002 album
Forever, prevented a true retrospective appreciation of the group. Barring that, the performance was truly solid, and a reminder why Cracker still remains on the radar of most serious music experiencers.