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DEATH FROM ABOVE 1979 IN CONCERT:
Canadian dance punk duo Death from Above 1979 amassed a cult following in the early '00s with their critically-praised recordings and monolithic live shows, and a 2016 live EP recorded at Jack White's Third Man Records in Nashville proves they remain a force to be reckoned with in concert. The pair's uptempo songs pack a serious punch, and audiences can't help but feel the power of Jesse F. Keeler's fuzz-laden basslines on standouts like "Romantic Rights," "Blood on Our Hands," and "Trainwreck 1979." Drummer/singer Sebastian Grainger keeps the energy on 10, kicking the tempo into overdrive and delivering his heartbreak lyrics with his fiery vocals. As the pair dive-bombs fans with an unrelenting barrage of supercharged riffs and heart-pounding beats, ticket buyers are more than happy to join in on the distortion-heavy dance party.
BACKGROUND SNAPSHOT:
Though the details of their formation remain murky (they've circulated tongue-in-cheek rumors that they meet in prison, on a pirate ship, or at a gay bar), itâs clear that Sebastian Grainger (drums/vocals) and Jesse F. Keeler (bass/synths/backing vocals) first rocked Toronto clubs together in 2001. Death from Above 1979 developed a devoted following with their thunderous hometown shows before finding critical acclaim with their 2004 debut album You're a Woman, I'm a Machine. More notoriety followed when the group performed the song "Romantic Rights" on Late Night with Conan O'Brien the following year. Despite their rising profile and critical success, the band split in 2006 due to creative differences and undertook new projects â Grainger pursued a  solo career while Keeler went on to form electronica duo MSTRFKRFT. Fortunately for fans the breakup only lasted five years â  Death from Above 1979 reunited in 2011 and dusted off the cobwebs with a string of low-profile shows. The 2014 release of their sophomore album The Physical World marked the band's return to fighting form, and they embarked on an extensive, well-received tour to bring their massive riffs to back to audiences. As fans await more hard-hitting tracks from the group, they can witness Death from Above 1979 bring down the house at venues around the world.
Absolutely loved the opener and DFA1979 slayed as per usual. The only caveat is the venue, thanks to live nation the commodore is only getting worse not better. Shite beer selection and obscene prices are a major turnoff to what used to be the best live music venue in the city. Suck it Trebek, I mean Live nation đđť
This was a totally awesome show! Not an ounce of disappointment. I left there feeling completely spent with my voice almost completely gone as though I was performing right along with them. If you've never seen them live, better change that status - you'll be glad you did!
Itâs the second time Iâve seen them live. Both shows have been great, sounds just like the albums. One of the best bands to watch live.
Awesome show, great sound. DFA are incredible live, such good energy and interaction with the crowd too.
I've sort of seen DFA before when they were opening for a few other bands. This show wwas certainly better than that one. They played a solid setlist with a lot of older and newer tracks. The sound of the drums seemed off to start and then got better later in the show. The venue is always killer and it was nice that there were no 'proud boy' incidents following the whole Vice-Proud Boy-Jesse Keeler kerfuffle. Overall the show as good as expected which is great!
Every time we see them they completely deliver on an exceptional show ! We will never miss a chance to see them in our hometown .
Awesome show. The boys can really rock! I would definitely recommend checking them out.
This was my 7th time seeing DFA, sort of a disappointing venue. The guys put on an awesome, very intimate performance in such a small venue
Great show! The opening band was a breeze of fresh air! Thev2 main acts were superb! Great show overall. Very happy to be able to go.
Great energy, great music, great venue; the crowd was a blast.
EODM were by far the highlight for us. Wish they were the main band and would have played longer. Death From Above had the volume up so loud that it was difficult to tell one song from the next.
Overall the show was good. Biblical (opening band) was forgettable. Death from Above 1979 was good but relied on too much loud distortion, so I couldn't hear the vocals and I had a massive headache by the end. It was worth it because of Eagles of Death Metal though - equal parts entertaining and clear, the music was great and the sound was balanced without being overwhelming.
An amazing set from the glorious DFA 1979. Just relentless in their aural assault. Playing a great mix from their first and newest albums - sounding even better live. They never disappoint and I hope they come around again.
The two bands were amazing we have lots of fun great sound and venue. Good show.
First off, Danforth Music Hall was a cool venue...not a bad seat in the house. Regarding the show however, the sound quality was VERY poor during the first 3 songs (to the point that the songs were unrecognizable until part way through)...causing me to question not only purchasing the tickets, but also venturing to the east end on such a cold holiday night. I will say that the sound improved over the course of the show and by the last song, sounded very much like the record. But isn't this why we have sound checks? This was the third time I had seen Death from Above 1979 live, and my least favourite experience. Please play Sexy Results and the La Peste cover next time!!!
I saw them live when they opened for NIN and QOTSA. Absolutely rocked! It's amazing what two guys can do on stage!
death from above was amazing but they seperated minor and put them upstairs. as a minor i couldnt even be in the crowd and enjoy the show and i still had to pay the same amount
Death from above killed it. And JFKs DJ set after the show was amazing as well
DFA 1979 was awesome! The mosh pit was hardcore. I had a great time, I just wish the show would've been on longer. But, definitely worth every penny.
