Richard Thompson opened the show and immediately set the bar high with a set that featured dexterous, delicate, and dynamic fretwork on his amplified acoustic six-string -- to say nothing of a voice that, after all these decades, compelled with its energy and world-weary insouciance. His set ranged from a post-modern sea shanty to a 40's jazz-and-scat adaptation of Frank Loesser's musical version of Hamlet.
What to say about Emmylou, Rodney, and their superlative five-piece band (Lead guitar, keyboards/accordion, druns, bass, pedal steel)?
How about that, for starters, their harmonies were ethereal, evocative, and as tightly-woven and compelling as the Everly Brothers. Their almost two-hour set (including a three-song encore) included many songs written by Rodney, a few by Ms. Harris, and a couple of "covers" that had one (at least) momentarily forgetting the originals.
Their arrangements were uniformly subtle, supple, and perfectly suited to each song they essayed. Perhaps most impressive was that, given how often overr the past 40 years -- together and individually -- Rodney and Emmylou have sung these songs, each and every offering sounded fresh, timeless, and as enjoyed by them in the moment as they were by their audience.
A truly memorable concert, one that will resonate down the years by this reviewer.