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Joe Jackson

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About

Joe Jackson was born on August 11 1954 in Burton-on-Trent, England, but grew up in the South Coast naval port city of Portsmouth.

At age 16 Joe played his first paying gig, as pianist in a pub next door to a glue factory just outside of Portsmouth.  This was followed by other pub gigs (in which he was often trying to entertain crowds of drunken, bottle-throwing sailors) and  accompanying a bouzouki player in a Greek restaurant.

At age 18 Joe won a scholarship to study Composition, Piano, and Percussion at London's Royal Academy of Music.

By 1978 Joe was living in London and hawking an album-length demo, with his own band (Graham Maby, Bass; Dave Houghton, Drums; Gary Sanford, Guitar) standing by.  That demo  -  already called Look Sharp  - eventually found its way to American producer David Kershenbaum, who was in London in the capacity of talent scout for A&M Records.  Joe was immediately signed and Look Sharp more professionally re-recorded in August '78.  The Joe Jackson Band finally started to play regular gigs and the album was released in January 1979.

Joe Jackson's story up to this point is much more fully, fascinatingly, and hilariously recounted in his book A CURE FOR GRAVITY.  From here on, though, it becomes more a matter of public record.  Look Sharp was followed within a year by the very similar I'm The Man, and in 1980 by the darker, more reggae-influenced Beat Crazy. At the end of 1980, drummer Houghton decided to quit, and Joe decided to dissolve the band and try something new.

In 1981 Jackson recorded Jumpin' Jive, a 'musical vacation' paying tribute to Swing and Jump Blues artists such as Louis Jordan and Cab Calloway.  Returning to songwriting, Joe spent a large chunk of 1982 in New York.  The result was Night and Day, a more sophisticated and melodic record built around keyboards and Latin percussion, rather than guitars.  With a new guitar-less band, Jackson hit the road for a whole year, and the album became his biggest success, going platinum in the US.  During the tour Joe also somehow found time to write his first film score, for James Bridges'Mike's Murder.  (He would go on to write several more, including most notably for Francis Ford Coppola's Tucker in 1988).

Jackson's next album Body and Soul(1984) was in a similar vein to Night and Day but featured a horn section (which, along with the Blue Note-inspired cover art, led many people to wrongly assume he'd made a jazz record).  For Big World (1986) Jackson stripped everything down to a 4-piece again, and recorded live, direct to 2-track master.  In 1989 he went in the opposite direction with the majestic, semi-autobiographical Blaze of Glory, and toured with an 11-piece band.  Laughter and Lust (1991) was more like a mainstream (though still idiosyncratic) rock record, but yet another lengthy world tour left Jackson exhausted and at a creative dead end.  As he sees it, his workaholic phase  -  which also included several film scores, a live album (Live 1980-86), an instrumental album (Will Power, 1987), guest appearances with Suzanne Vega, Ruben Blades and Joan Armatrading, and endless touring  -  was over.

The 1990s brought some of his most challenging and eclectic works: the gentle, soul-searching Night Music (1994), the ambitious and original song-cycle based on the Seven Deadly Sins, Heaven and Hell (1997), and the album Joe considers his best (and most underrated): Night and Day II (2000).  The turn of the century saw a burst of creativity: Jackson won his first Grammy (Best Pop Instrumental Album for the non-traditional, non-orchestral Symphony No.1) and published his book A Cure For Gravity.

In 2003 Joe re formed the original Joe Jackson Band for a stunning new album, Volume 4, and a lengthy tour.  The reunion was always intended as a one-off, but it also produced a live album, Afterlife, in 2004.

By this time Jackson was living mostly back in London. He made quite a few solo appearances, including on an unusual triple-bill tour with Todd Rundgren and the string quartet Ethel.  He sang and played piano on Rickie Lee Jones' It's Like That and William Shatner's Has Been (produced, arranged and co-written by Ben Folds). He was also awarded a Fellowship by the Royal Academy of Music and an Honorary Doctorate by the University of Portsmouth.

In 2006 Joe turned his attention back to pure songwriting and did a short Trio tour with Graham Maby and Dave Houghton. Having failed to happily re-establish himself in London, he moved to Berlin, where his next album Rain was recorded in 2007. Consisting of ten powerful, timeless new songs, Rain creates a surprisingly epic sound with just voices, piano, bass and drums. The trio toured for the next three years. A live album, Live Music, was released in 2011.

In 2012 Joe  released a tribute to one of his greatest musical heroes, Duke Ellington. The Duke is an often radical re-interpretation of fifteen Ellington classics, arranged into ten tracks, and featuring an eclectic roster of guest artists including Iggy Pop, Ahmir 'Questlove' Thompson and other members of The Roots, Sharon Jones, Steve Vai, and jazz violin star Regina Carter, who joined Joe on the subsequent tour.

In 2015, Jackson announced the completion of his follow-up to The Duke via his official website. The album's title, Fast Forward, and track list were confirmed in addition to North American tour dates. The titular first single was released for streaming via his official SoundCloud page.

On 18 January 2019, Jackson released the album Fool. Jackson said about the album on his website: "One of my inspirations for this album was the band I've been touring with on and off for the last 3 years. I've had many different line-ups but this one is special." Jackson and the band performed "Fabulously Absolute" on Jimmy Fallon's Tonight Show on 21 January 2019.[20] Fool debuted in the top 20 album charts in Holland, Belgium, Germany and Switzerland. In the US, it debuted at No. 25 on Billboard's Top Album Sales Chart. In the UK, it entered the Indie Albums Chart at No. 13.

After a Covid induced layofff Joe toured the US and Europe in 2022 for a tour named "Sing, You Sinners!" featuring songs from his catalog plus a few select covers. The tour featured his band Graham Maby on Bass, Teddy Kumpel on Guitar and Doug Yowell on Drums.

Nov 24th 2023 saw the release of  "Mr Joe Jackson Presents "What A Racket": The Music Of Max Champion", a collection of songs written by the long forgotten Music Hall performer Max Champion.

Joe will be out on the road during 2024 touring both the US and Europe performing a 2 part set. First part will be solo performances from his catalog. The second part will feature songs from the "What A Racket" album performed with a 9 piece band.

Jackson splits his time between New York, Portsmouth UK and Berlin.

Reviews

Rating: 4.4 out of 5 based on 12 reviews
  • Rating: 5 out of 5

    His voice remains awesome

    by Loriwuzhere on 2018-07-29Burton Cummings Theatre - Winnipeg

    Have loved this man's work since the '70s & he was always on my bucket list. Was so impressed with the strength & range of his voice. So happy that I went. Highly recommended if you are a fan!!

  • Rating: 5 out of 5

    Joe Jackson is still the Man!!!

    by RockOnAtTheWalker on 2018-07-28Burton Cummings Theatre - Winnipeg

    It was a perfect mix of old and new songs and Joe was very witty.

  • Rating: 2 out of 5

    Look Sharp

    by Eds9 on 2018-07-28Burton Cummings Theatre - Winnipeg

    Was t what I was expecting at all. A few hits here and there, but I didn’t care fir his song choices. The drums were overwhelming and would often be more prominent that his vocals.

  • Rating: 3 out of 5

    Great music, but shortchanged on some songs

    by WpgSteve on 2018-07-28Burton Cummings Theatre - Winnipeg

    First off, Joe can still sing and play the piano with the best of them. He's an undeniable talent. The songs he played were good - some great! - and even his new stuff was well-done and engaging. My complaint is that he must know why the majority of people came to see him: his older stuff from the late 70s to mid 80s. Therefore, why did he avoid certain songs altogether ("I'm the Man"), and play his two biggest hits in an odd non-standard way? Is She Really Going Out With Him and Steppin Out are what people want to hear, and they don't want to hear the songs in some weird way. Overall though, a good enjoyable concert.

  • Rating: 5 out of 5

    Joe kicks it

    by LaughinginthePeg on 2018-07-28Burton Cummings Theatre - Winnipeg

    Excellent concert, old and new music, well balanced

  • Rating: 5 out of 5

    Joe Jackson was absolutely amazing. Such a great s

    by Muffinlove on 2018-07-28Burton Cummings Theatre - Winnipeg

    My hubby and I had the best time at Joe Jackson. Haven’t had a dare night in years in was a amazing concert

  • Rating: 5 out of 5

    Joe

    by Herbierte on 2018-07-28Burton Cummings Theatre - Winnipeg

    Good and well and wonderful and so on and so on and so pn

  • Rating: 4 out of 5

    Go Joe...

    by PatbigFans on 2015-11-03The Danforth Music Hall - Toronto

    Great evening. Joe is very captivating. Great venue for Joe.

  • Rating: 4 out of 5

    Joe Jackson

    by Buenavista on 2015-11-02The Danforth Music Hall - Toronto

    The show was incredible! Joe was spot on and the sound, particularly the voice was mixed perfectly on the solo portions. The band, particularly drums and bass, seemed to be mixed a little loud for our taste. They covered every song we knew and more, except for Look Sharp. On the venue front, all the information we read suggested there was no opening act and the show started at 7pm. I saw an ad that said all ages, so it seemed to make sense. The show didn't start until 8:15pm, and so we didn't need to rush to get there and could've enjoyed some drinks and food. Also, we happened to get the people who hadn't finished their conversations and sing-alongs at the pub, and felt it appropriate to continue while Joe was singing his quiet solo songs. Of course, when we said something they took great offence and never got the message. Great....

  • Rating: 5 out of 5

    Fantastic Joe Jackson

    by Delores3 on 2015-11-02The Danforth Music Hall - Toronto

    An awesome show! Joe played a great mix of oldies and new material. He still has the pipes, his band was tight and the sound in the theatre was the best. Thoroughly enjoyed the show!