Phrazes for the Young is a great album. No doubt about that. Can it sustain a satisfying live performance? Just. But you won't be blown away. It's basically like listening to the CD, only a lot louder among a lot of hipsters and a guy onstage who has decent stage presence. Smoke and lights....meh. Could use a bit more creativity on that front.
In terms of front-men going solo, Casablancas is ideal for this. But an 8 song album isn't quite enough to justify a live act. Add to that a couple of B-sides of just average quality, you are left wondering, when is he going to break out some Strokes? He did, once. I think. What song was it? Not sure. It was slowed down, down with just a piano. Hardly a high light of the night. But there are at least three songs on the album that will get things going. But was there any mosh-pitting at the Commodore? No. Hipsters don't mosh apparently. Nor should they.
What saves this event are the two opening acts. The fist especially - Rainbow Arabia. Think Portishead, high on E in India with detours to Jamaica and Africa. Tribal drumbeats verging on techno. Bjork-like vocals accenting heavy beats. Just a chick and a dude messing around on keyboards and a smattering of drums and noise makers. A pleasant surprise, and a much better performance than that mustered by the following act, The Strange Boys.
While there were a few memorable moments offered by this quirky group of rockabilly mods, the hokey, down home country twang became a bit murky. The throaty vocals a bit bland. The opening song couldn't have been a poorer choice, but a few songs down the road they actually come to life. The glum chick on the saxaphone actually made things interesting for brief sojourns. Compared to Rainbow Arabia, it was a lull on the road to Casablancas. As far as improvisation and embracing live energy, netiher Strange Boys or Casablancas competed with Rainbow Arabia. Having bought their CD, I have to say they are much better live.
Generally, a good concert. Amazing? No. As a frontman, Casablancas would have to dive into the Strokes song list more deeply and faithfully, but it appears he might not be in the mood for it given that the band isn't completely on speaking terms. Compared to Scott Wielend's performance earlier this year, one was left wanting. Scott was on stage for a full 90 minutes, offering new twists on old STP material. Julian was up there doing his thing, but it felt like listening to a CD, one which has good stuff on it, but ends a bit short.