Ever improving
by Mr. Haelscheir on 2024-04-17Meridian Arts Centre: George Weston - TorontoRating: 5 out of 5This is my first concert season and third time attending an Orchestra Toronto concert. My past reviews commended the volunteer orchestra for their execution of this repertoire, but noted issues with timing and particularly string section intonation and synchronization in difficult passages, such perhaps expectedly not up to the level of upper student or professional orchestras within Toronto. At least to my ears, the woodwinds had always been commendable, though synchronization between the instrument sections or rhythmic or phrasing coherence could sometimes struggle, hindering the enjoyment of the music for those with expectations built upon many high-level recordings. These issues were first noticed with the Brahms Symphony No. 4 concert, but by the time of the Debussy "La Mer"concert, I noticed some improvements and likewise in last Sunday's concert. The playing in the first piece sounded clean. Paul Hindemith's "Symphonic Metamorphosis"presented a challenging repertoire revealing struggles in some sections, but was otherwise impressively executed. As a side note, volume levels from the third row were moderate, perhaps not as loud as a full-sized orchestra like the TSO whose dynamic range could sometimes be excellent, but enough to have comfortable dynamic peaks and at times present excellent texture. It was with the Dvorak Cello Concerto that I was particularly impressed and was glad to have gotten the rich musical experience I had hoped for. It took a few minutes for my ears to adjust to the actual live tone of a cello when used to listening to recordings, but after that, phrases flowed with excellently engaging dialogue with the orchestra which was able to present exquisitely rich and coherent textures which I felt did an excellent justice to expressing the emotions contained in the work. Despite my critical listening style, this orchestra was able to create an unforgettable experience with timbres and expressive moments I now yearn to be able to relive through recordings. Overall, with each performance and the improvements therein, I am increasingly recommending this orchestra as a viable option for hearing certain desired repertoire. I can also recommend the acoustics of George Weston Recital Hall as being capable of delivering great clarity provided that you sit amid the first few rows lest reflections from the ceiling reflectors detract from the sound.
