Scott Weiland Tickets

A great show. His solo songs are different from STP, but they were interesting and he preformed and sang with his heart and soul in everyone.

Scott was is good form and put on a really great show. The audience was engaged and that seemed to make him happy because he smiled a lot during the concert and it seemed like he was really making an effort to put on a great show and I think he succeeded. I am a huge fan of both Stone Temple Pilots and Scott's solo work so I would recommend seeing him in either capacity.

Horrible show. Incredibly disappointing. I actually left early. His set was a bunch nonsense. And I am a huge fan of his latest albulm. Scott is dead to me live

Well I went to thiss show hoping that I would hear more classics from the Stone Temple Pilots days. Unfortunately Scott didn't come on until just before 11:00 PM then for the next hour each song lasted about 10-15 minutes and sounded more like a jam session than anything. We got tired of standing and at midnight we left because he had only played "Vasoline" I realize that STP is not his band anymore BUT we saw Chris Cornell solo and he was able to incorporate a perfect balance between Soundgarden, Audioslave and his solo stuff and it worked great. So although its nice to see Scott with some meat on his bones looking pretty healthy he could have given us a little more of the old school yet amazing stuff he had done in the days of STP.

I saw Scott Weiland at the Commodore in Vancouver. The show was excellent. He performed a number of songs from his new album including Killing Me Sweetly, Blind Confusion, Paralysis, Big Black Monster, and finished the show with Missing Cleveland. He also did a couple of STP songs, but the highlight for me was the Intro Jam which lasted about 15 minutes as well as a the Jam they performed on Mockingbird Girl (about 13 minutes). I enjoyed the jams so much I bought the concert. On Scott Weilands website there is a link to download concerts (about $15). Scott Weiland is a melodic genius that can't be completely captured with studio recordings. His lead guitarist has a similar brilliance as evidenced during the jams. Check them out if you get the chance.

Although I wasn't expecting to see Scott Weiland perform any Stone Temple Pilots materials (being that this was a solo venture), being that I am a massive Weiland fan overall, I was really excited to hear the material from his latest release and possibly from his last solo release '12 Bar Blues'... well he did do some STP (nice surprise), one Velvet Revolver tune (a very bad bossa nova version which felt like it was included in the set only because he had to), and the odd tune here and there from his two solo releases. Problem with this show wasn't the lack of decent material, the problem was the lack of the other material. There were too many very long drawn out jams to which Scott walked around the stage looking for a smoke, occasionally playing with his keyboard / oscillator unit to the side (which was just an array of various sound effects) and generally just looking like he was trying to be the next Jim Morrison without actually connecting in any way to the crowd the way the Lizard King used to. 45 minutes into the show, a lot of people around me, and I mean A LOT, got up and left. I have seen Scott three times now (with STP and such) and never have I ever seen ANYONE get up and leave a show that Scott was involved in. They all had the same look on their faces... they were wondering what they had bought tickets for (I was sitting up above the general floor in the balcony and by the end of the show more then a 3rd of the people were gone). Like I said, the only thing that saved this show for me was the fact that I only paid $30 for my ticket... if it had been anything more, I would've been really upset that I wasted that money. I doubt I would buy a Scott Weiland solo show ticket again in the future... with STP definitely but not as a solo artist.

Maybe too much experimenting, maybe too much expectations about the STP past. I think the distance between STP fast-rock from the instrumental SW band is probably the "excess" everybody wasn't aware of. Powerful voice and one awesome stage presence are SW registered marks, but I particularly felt a bit of tension when the crowd was requesting (more like demanding) STP songs. SW needs more detachment for his solo career, which is something near the impossible. Go check if you are truly fan of SW works. All of them, I mean.

Great to catch Scotty up front , interactive,raw and close to the edge as usual One of the greatest vocal talents of our time!

Show was amazing, opening band was great. We were a little disappointed in his attire, but it's Scott Weiland after all. We were also impressed that he did some STP stuff, though we were happy with the solo work.

The show was pretty intimate, he didnt just come out and sing his set list, but he interacted and created a wicked vibe throughout the whole venue. sound was exellent, and peformances were solid, from opening act to main event.

The sound was great but All Weiland wanted to play was his new stuff. Only played a couple STP songs and really seemed uninterested in being there. It was my birthday so I had fun, but being anywhere else with my friends and not having an annoying rock show to listen to could have been better. NEXT TiME PLAY STP!!! or a little Velvet Revolver

Concert Review – Scott Weiland w/Color Turning An unusual feeling hung over the crowd from the moment I walked into this show. The only way I could identify it was an uneasiness, and I think it came from the fact that Scott Weiland has two complete opposite styles he can bring with him too stage. One of those styles is his happy-go-lucky, fun loving, music demigod larger than life faces. The other is his dark, clouded; drug induced internal self hatred externalizing itself before your very eyes. My thought was that people were worried they wouldn’t get the first, but end up getting stuck with the latter. As the night unfolded the true question would be answered. The opening act was a great band from Los Angeles, California called The Color Turning. This band honestly blew me away and was definitely handpicked by Mr.Weiland. They don’t have a record released yet, but have the usual MySpace outlet to satisfy any curiosities. There sound is a very low key, rock root based melodic sound. An influx of minute undertones, find their way into every song, from a maraca here to a tambourine there. There gentle way of approaching the instrumental front, brings your attention to the vocals, which are amazing. One of my arguments against this band, is that they are too new. I wanted to rush out and buy there album now. They played a few songs that were not on their MySpace and I really wanted them now. In the world of music, and on demand nature of everything, this is a hard pill to swallow. The band said the release of their album would be sometime in late July, but by then I fear I will have forgotten them. I file their talent for now, under the “waiting to review” category in my mind and will rejoin them once I can cycle the album in the comfort of my own abode. They had one song that blew me away, which was a very delicately sung life perspective piece. It had very fragile sounding vocals and the singer was displaying a huge level of vulnerability. During the last two songs of the set, Scott Weiland and his band appeared. They sat right on the lip of the Commodore stage and turned directly to the band like they were members of the audience. This didn’t affect the band, but filled them with excitement and they got wide eyed as they finished up there set. Weiland picked up the tambourine during the last song and kept rhythm with the group. After each song Scott and his band clapped and hollered there blessings, it was a very personal touch. This moment felt great and by the smiles on the faces of this young band it was a great moment for them also. After the 35 minute wait between bands, Scott Weiland and his crew took the stage and started it right off. Per the questionable faces in the crowd, the people still didn’t know if this was Dark Scott or Smiley Scott. Then he opened his mouth and upon his first words, his face lit up with a huge grin. The fans in the audience new right then he was with them, not drugged away somewhere in the distance realm of his stormy mind. The audience lit up and the night rocked hard quickly. From this show I could tell very quickly why Scott had left Stone Temple Pilots and Velvet Revolver. The reason seemed obvious; they would not allow him creative control at all. Every song on this night blossomed from an idea. There was no fixed set time or definite song length. The first song was just a 15 minute jam session, which had Scott pouring his soul into the mic and into a contraption set at mid-stage. This contraption allowed him to emanate digital sound based on the analogue turning of dials and the placement of plugs and wires. It was very retro but made for a really great effect. Throughout the set, songs would slowly depart from reality of what people remembered them and be skewed into a new vision right in front of you. Some songs would just have a slight change in lyrics, or sped up for a particular affect. For the most part it was great, at some points he would lose the audience, myself included, as we just didn’t get what was going on. But because of the enthusiasm behind it, and the content look in Scott’s eye, it made it all okay. This may sound strange but a lot of people I know didn’t attend this concert, as they were afraid of seeing the Dark Scott, on this night I think I saw the true Scott. I saw him as more real and fulfilled then I have ever seen him. The set list had some known pieces injected into it, which I am sure was the stipulation by the suits to back the tour, Vasoline and Interstate Love Song were among the few chosen. Overall the stage presence was that which you would expect, larger than life. The only thing that was there that I didn’t expect was the happiness, he was truly smiling. Large cone light lit the band from behind and above, and made for some stupendous visuals as usual. At the very end of the show on the last song, they turned on some bubble machines and the fantastic backdrop of cone lights were inundated with floating bubbles. This finished the night off on a whimsical note and had every one laughing and smiling along with a happy Mr.Weiland. Overall this show brought a few surprises with Scott’s attitude being the biggest one. I may not return to see a small show by Scott as I found myself lost in his mind a few times, and unable to identify what he was trying to communicate. The show was great, but there was too much going on at time which made for some confusion and feelings of over-intense musical over load. While I completely appreciate his talent, I don’t think I could handle two more hours of jamming. He does a lot better in these small venues as you have to see him up close to really understand him, and take the whole thing in. I would give this show a 3.5 out of 5, and chalk it up to being a must see for anyone who loves jam bands. Which is not really my style, I like vocal walking and such but adding 12 minutes to a song takes away what I love about it.

OMG HE IS ALWAYS AMAZING!!! I HAVE SEEN HIM WITH BOTH OF HIS BANDS AND NOW SOLO AND IT WAS SO AMAZING