When The Airborne Toxic Event's Vancouver show was moved from the Venue to the Commodore, I was dismayed for several reasons: the Venue is more intimate and if you get there early enough, you get great sight lines; the Venue is less likely to have an ocean of vomit in front of the stage - an unfortunate experience at the last Commodore show I attended.; shows at the Venue start at a reasonable hour, allowing you to catch the last SkyTrain after the final encore.
All that said, TATE made it worth driving downtown on a Tuesday night and standing in front of the Commodore stage (mercifully this time the floor just had the usual residue of sticky beer) to see one of the most energetic, brilliant and outright fun concerts I've attended.
This is an extraordinarily talented and literary band. Mikel Jollet even based one of his new songs on a Milan Kundera short story. When you combine a classical violinist with a rock'n'roll heart (Anna bodysurfed into the crowd at one point), a top jazz bassist, a great guitarist , excellent drummer and a smart, funny writer/singer - most capable of switching instruments and taking turns on keyboard - the result is a group that transcends nasty reviews (Pitchfork and Rolling Stone be damned) and puts on one helluva show.
The mix of old and new songs worked well, with the crowd singing along to almost everything, including the covers medley of Springstein's "I'm on Fire"/ a Clash-style "I Fought the Law"\ Johnny Cash's "Folsom Prison".
Mikel seemed more at ease than at shows where I'd seen TATE previously (at Coachella and their last show at the Commodore). He disappeared into the audience several times, showing up on table tops and showering the crowd with ice cubes. After the encore, the entire band stayed around to shake hands with elated fans.