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The Cars

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About

Blondie may have had a string of number one hits and Talking Heads may have won the hearts of the critics, but the Cars were the most successful American new wave band to emerge in the late '70s. With its sleek, mechanical pop/rock, the band racked up a string of platinum albums and Top 40 singles that made it one of the most popular American rock & roll bands of the late '70s and early '80s. While they were more commercially oriented than their New York peers, the Cars were nevertheless inspired by proto-punk, garage rock, and bubblegum pop. The difference was in packaging. Where their peers were as equally inspired by art as music, the Cars were strictly a rock & roll band, and while their music occasionally sounded clipped and distant, they had enough attitude to cross over to album rock radio, which is where they made their name. Nevertheless, the Cars remained a new wave band, picking up cues from the Velvet Underground, David Bowie, and Roxy Music. Ric Ocasek and Ben Orr's vocals uncannily recalled Lou Reed's deadpan delivery, while the band's insistent, rhythmic pulse was reminiscent of Berlin-era Iggy Pop. Furthermore, the Cars followed Roxy Music's lead regarding LP cover art, in their case having artist Alberto Vargas design a sexy pinup-style illustration for the cover of their sophomore album, Candy-O. Similar cover art remained the Cars' primary visual attraction until 1984, when the group made a series of striking videos to accompany the singles from Heartbeat City. The videos for "You Might Think," "Magic," and "Drive" became MTV staples, sending the Cars to near-superstar status. Instead of following through with their success, the Cars slowly faded away, quietly breaking up after releasing one final album in 1987.

Ric Ocasek (guitar, vocals) and Ben Orr (bass, vocals) had been collaborators for several years before forming the Cars in 1976. Ocasek began playing guitar and writing songs when he was ten. After briefly attending Antioch College and Bowling Green State University, he dropped out of school and moved to Cleveland where he met Orr, who had led the house band on the TV show Upbeat as a teenager. The two began writing songs and led bands in Cleveland, New York City, Woodstock, and Ann Arbor before settling in Cambridge, MA in the early '70s. In 1972, the pair was the core of a folk trio named Milkwood. The band released an album on Paramount Records in late 1972, which was ignored; the record featured keyboards by a session musician named Greg Hawkes. By 1974, Ocasek and Orr had formed Cap'n Swing, which featured Elliot Easton on lead guitar. Cap'n Swing became a popular concert attraction in Boston, but the group broke up in 1975. Ocasek, Orr, and Easton formed a new band called the Cars in 1976 with former Modern Lovers drummer Dave Robinson and keyboardist Hawkes.

Early in 1977, the Cars sent a demo tape of "Just What I Needed" to the influential Boston radio station WBCN and it quickly became the station's most-requested song. For the remainder of 1977 the Cars played Boston clubs, and by the end of the year they signed with Elektra Records. The group's eponymous debut album appeared in the summer of 1978 and it slowly built a following thanks to the hit singles "Just What I Needed" (number 27), "My Best Friend's Girl" (number 35), and "Good Times Roll" (number 41). The Cars stayed on the charts for over two and a half years, delaying the release of the group's second album, Candy-O. It would eventually sell over six million copies.

Recorded early in 1979, Candy-O wasn't released until later that summer. The album was an instant hit, quickly climbing to number three on the charts and going platinum two months after its release. The record launched the Top Ten hit "Let's Go" and sent the band to the arena rock circuit. Perhaps as a reaction to the Cars' quick success, the group explored more ambitious territory on 1980's Panorama. Though the album wasn't as big a hit as its predecessors, it nevertheless peaked at number five and went platinum. Before recording their fourth album, several bandmembers pursued extracurricular interests, with Ocasek earning a reputation as a successful new wave producer for his work with Suicide and Romeo Void (he even produced some demos for Iggy Pop). The Cars released their fourth album, Shake It Up, in the fall of 1981, and it quickly went platinum, with its title track becoming the group's first Top Ten single.

Following the success of Shake It Up, the band recorded the soundtrack to the short film Chapter-X and then took an extended leave, with Ocasek releasing his solo album Beatitude in 1982 and Hawkes issuing Niagara Falls the following year; Ocasek also produced the debut album from the hardcore punk band Bad Brains. The Cars reconvened in 1983 to record their fifth album, Heartbeat City, which was released in early 1984. Supported by a groundbreaking, computer-animated video, the album's first single, "You Might Think," became a Top Ten hit, sending Heartbeat City to number three on the album charts. Three other Top 40 singles -- "Magic" (number 12), "Drive" (number three), and "Hello Again" (number 20) -- followed later that year, and the record went triple platinum in the summer of 1985. At the end of the year, the group released Greatest Hits, which featured two new hit singles, "Tonight She Comes" and "You Are the Girl."

The Cars were on hiatus for much of 1985 and 1986, during which time Easton released Change No Change and Orr issued The Lace. During 1987, the group completed its seventh album, Door to Door. The album was a moderate hit upon its summer release in 1987, launching the single "You Are the Girl," which peaked at number 17. Door to Door had seemed half-hearted, sparking speculation that the group was on the verge of splitting up. The Cars announced in February of 1988 that they had indeed broken up. All of the members pursued solo careers, but only Ocasek released albums with regularity. By the '90s, he'd also become a much sought-after alt-rock producer, having worked with with the likes of Weezer, Bad Religion, Black 47, Hole, Guided by Voices, No Doubt, Nada Surf, Johnny Bravo, D Generation, Possum Dixon, Jonathan Richman, the Wannadies, and former Suicide members Alan Vega and Martin Rev. Easton later reappeared with Creedence Clearwater Revisited, while sadly, Orr lost a battle with pancreatic cancer and died on October 3, 2000.

After Orr's passing, a few new Cars releases appeared on the marketplace, including the concert DVD Live (taped originally in Germany during 1979, and featuring an interview with the group shortly before Orr's passing), a double-disc deluxe edition of their classic self-titled debut album, and a more extensive hits collection titled Complete Greatest Hits. By early 2002, Ocasek was at work putting together a Cars documentary film, comprised of backstage footage and unreleased promo clips that the band filmed itself. He also continued working on solo material, releasing Nexterday in 2005 to warm reviews. Meanwhile, Greg Hawkes and Elliot Easton teamed up with Todd Rundgren to form the New Cars, a pop supergroup whose repertoire included Rundgren's solo songs, the Cars' past hits, and some new material. The New Cars toured with Blondie in 2006 and released one record, the concert album It's Alive!, before Rundgren resumed his solo career the following year. By 2010, the Cars officially reunited for the first time in two decades, with the late Orr serving as the reunion's sole absentee. Working with producer Jacknife Lee, they took up temporary residence in a recording studio in Millbrook, NY, emerging with 2011's Move Like This. ~ Stephen Thomas Erlewine, Rovi

Reviews

Rating: 3.8 out of 5 based on 20 reviews
  • Rating: 4 out of 5

    The Cars Drive, Ric Ocasek cruise control.

    by BrianC on 2011-05-22Sound Academy - Toronto

    After over two decades, The Cars reunion finally happened despite years of adamant denial that it could ever be. The crowd was entertained by all of the classics plus a few tracks from their new album "Move Like This". A lone bass guitar rested on a stand at the rear of the stage as a solemn reminder of former bassist, the late Benjamin Orr. Lively keyboardist Greg Hawkes jumped on the bass for one song after giving a "Tip of the hat" to their late friend. Guitarist Elliot Easton was sensational, performing his signature licks that add to The Cars unique sound. The crowd was energetic and excited to see the group back together. Missing from all the excitement was lead singer and rhythm guitarist Ric Ocasek's enthusiasm. Choosing to merely show up and play his parts seemed all the 62 year old synth-pop rocker was capable of. Nevertheless, they played well and their fans were thrilled to be part of the experience.

  • Rating: 5 out of 5

    Great sound after 23 + years Band was Awesome

    by waveproducts on 2011-05-22Sound Academy - Toronto

    This night was awesome. Ric's voice was amazing... even for 62 years old. The band was "tight". The crowd was really into the evening and very supportive of Ric and the band. It was worth every penny to see the band again !! Even 20 bucks to park at the docks :(

  • Rating: 5 out of 5

    by EJisthebest on 2011-05-22Sound Academy - Toronto

    The Cars have still got it. The performance was absolutely perfect. Elliot's solos are exactly as on the record. Ric's voice hasn't changed a bit. Great show! Sound Academy on the other hand, is a terrible venue. Bad sound, crowded and dirty. No seating is a definite downside. Would never go to another show at the venue.

  • Rating: 5 out of 5

    Great show but could be longer

    by Swatter on 2011-05-22Sound Academy - Toronto

    Great sound. They rocked it hard. Mix of old and new songs but played a lot of the classics. Huge treat to see a band like this at a small venue. Only played for hour and 15 min then back for a three song encore. Overall great show

  • Rating: 1 out of 5

    extremely disapointing

    by Glassman on 2011-05-22Sound Academy - Toronto

    I traveled fron North Bay to see this concert and was so disapionted in the quality of the concert that after traveling 4 hrs to get there we left the concert before it was over due to the very low quality of sound.We purchased premium seats at the upper balcony level and had heard that the band was going to be coming up there to see the people with the select seating and this still could not justify us staying due to the extreme disipiontment. The band not once even adressed the crowd which where aperatly there fran's or where before this show. i have enjoyed the Cars for many years as i'm now 48 years old and hope that the quallity of the sound was due to the location but would never recomend anyone to go after this performance.

  • Rating: 3 out of 5

    Touch and go

    by raunch on 2011-05-22Sound Academy - Toronto

    A very hot and cold event.............................Show started off on a high note with Let The Good Times Roll, then shifted into cruise control until the last song of the regular set (Let`s Go) and the great encore (Moving In Stereo, Just What I Needed, You`re All I've Got Tonight). I like some of the tracks on the new recording (Sad Song and Blue Tip are really good tunes) but they played way too much of the album at this show. A lot of the audience seemed really bored by the half-way point and a few people left well before the end of the show. Ocasek looked bored out of his mind (there is a difference between looking `cool' and looking like you wished you were somewhere else) and if it wasn`t for Hawkes and Easton, there would have been no on-stage energy. On a positive note....a lot of the tunes were almost letter perfect.

  • Rating: 2 out of 5

    The Cars

    by BenjaminOrr on 2011-05-19The Montreal Forum June 1979 - Montreal Quebec Canada

    Well guys, if you had seen the Cars in the 70s and 80s, like I did, you wouldn't be surprised with the lack of excitement on stage. The Cars live, even back then, was as much fun as watching paint dry. I guess some things never change?

  • Rating: 2 out of 5

    Cars were Stiff!!!!

    by Les27 on 2011-05-13Showbox SODO - Seattle

    It was a sad testament to the massively popular music of the Cars to see and hear their music live that failed to live up to the quality of the studio recordings. Zero corriography for one and Ric Ocasek wins the award for most motionless singer/guitarist that I have ever seen. At least if his leg went asleep we would have seen some movement out of him. True it was their first live show in 24 years but if you respect your audience you rehearse and deliver an experience to the audience that equates to some semblance of value. The one of only a handful of highlights was to get the moving images to "Moving in Stereo" which over rided the stiffness of the band. By comparison Black Angels for less than 1/3 of the price put on a significantly better show and I think that The Cars need to go see these guys for a reality check.

  • Rating: 4 out of 5

    Cars

    by Cara06 on 2011-05-12Showbox SODO - Seattle

    The cars were awesome! Unfortunately the showbox sodo is a horrible venue.

  • Rating: 2 out of 5

    Sounds good, but no show no energy

    by Festus2k on 2011-05-12Showbox SODO - Seattle

    Wow first this venue was insane, no room to move, possible fire code breaker. The Cars sounded good but there was no interaction with the crowd. Nothing memreble about this show, their choice of songs had me puzzled too. Playing Heartbreak City over Drive? What abotu Magic? They did play a song over "Living in Stereo" twice in a row. I think the slow songs really killed the momentum. Croud was pretty mellow and this big comeback was a big let down.