Van Halen bring a different kind of show to Winnip
by tarryrob on 2012-05-14MTS Centre - Winnipeg, MBVan Halen hit Winnipeg last night (5/13/12) with the semi-reunited original line-up (less original bassist Michael Anthony) with David Lee Roth back at frontman duties. Excitement ran high as drummer Alex Van Halen took the stage and began a thunderous percussive fanfare as brother Eddie Van Halen proceeded to blow the doors off the MTS Centre with his “Unchained” guitar solo from VH’s 1981 Fair Warning album, signalling his return to form after surgery and rehab stints. Eddie’s son Wolfgang Van Halen played the trademark opening bass notes, which segued the band into “Running with the Devil, a track from their 1978 self-titled debut album. As the fans roared their approval following the opening numbers, Roth, looking like a cross between Liberace and Steve Tyler, sporting a white silk scarf, sequined matador-style waistcoat, leather pants, and electric blue shirt, smugly enquired, “How we doing so far?” Proving that his wit is still sharp as ever, Roth dressed down a fan for throwing a beer cup onstage, saying, “Don't throw your garbage up onstage; throw your girlfriend, a-**hole.” Though not delivering as many high kicks and leg splits as in the old days, Diamond Dave still brought plenty of energy to the show – though his new style seems to owe more to vaudeville more than to the “School of Rock.” Leaps from the drum riser have been replaced by mike stand twirling, and sliding footwork with the occasional swinging roundhouse kick thrown in for good measure. The few kicks the flamboyant singer did throw were caught and replayed in slow motion on the giant video screen, which covered the length of the stage – one of the band’s surprisingly few nods to high tech production as they chose to forego pyro, risers, ramps, and hydraulic lifts, and put the emphasis on the music instead (justifiably so). Vocally, Roth’s pipes were still relatively strong, but his tendency to scats and adlib melodies ran the gamut from being annoying (scats singing over Eddie’s solos) to downright embarrassingly bad (You Really Got Me). Fortunately (for Dave), inevitable comparisons to former VH frontman Sammy Hagar were sidestepped by completely avoiding the entire Hagar-era song catalogue. The setlist covered the Roth era period from 1978 to 1984, as well as including a handful of cuts from their latest album A Different Kind of Truth. No evidence of past friction between Roth and the Van Halens seemed evident as Roth and Eddie appeared to truly enjoy playing together, and Eddie clearly loved working with his son Wolfgang, who did a surprisingly serviceable job both on bass and backing vocals. With the show clocking in at 2 hours, VH delivered plenty of bang for the buck, though some might quibble about trading off deep album cuts like “Woman in Love” or newer “Truth” tracks for classics such as “Jamie’s Crying, “And the Cradle Will Rock” or “Atomic Punk.” Early highlights included “Everybody Wants Some,” “Somebody Get Me a Doctor,” and the blistering “China Town” – a decent full-tilt rocker from the new album. After losing momentum mid-set with a phoned-in version of Roy Orbison’s “Oh, Pretty Woman,” followed by an odd Latin-flavoured drum solo by Alex, and a vocally awful version of The Kink’s “You Really Got Me,” the band regained their footing with their 1979 hit “Dance the Night Away.” Other second half show highlights included a blistering version of “Hot for Teacher,” “Ice Cream Man,” featuring Roth’s acoustic guitar intro, as well as the VH party rock hit “Panama.” But it was Eddie Van Halen who stole the show in the home stretch with a 10 minute long guitar solo that covered the gamut of sounds and styles, showing why he remains ranked as one of the best in business, crowning the display with “Eruption,” his masterpiece from VH’s 1978 debut album. The big screen display was used to great advantage during the solo, showing close-ups of Eddie’s fingerwork, allowing guitar god wannabees the opportunity to drool and take notes. VH wrapped the night in fine form with the steamy 1978 debut album track “Ain't Talking 'Bout Love,” followed by the instantly recognizable synth lines of their 1984 smash No1 hit – “Jump,” replete with confetti cannons and a mike stand twirling Roth, who played drum major. It was a different kind of Van Halen show than their last visit here with Diamond Dave in 1980, but with Eddie back in form, these ageing veterans proved they can still rock with the best – with or without the stage trappings. Kool and the Gang opened the night with well-played a 50 minute hit filled set, that had the crowd on their feet by the time they wrapped with the classic disco era hit “Celebrate.”