How this guy isn't bigger than Jakob Dylan, Jack Johnson, John Mellencamp and/or John Mayer; is one of the problems with music today. Actually, I know the answer. He's too literate; too smart; too happy; and too together for today's starmakers to find interesting. Album after album, Josh produces literate, melodic pop music (not a bad word - a great pop song is a work of art) that enraptures fans and baffles big media. Tour after tour, whether it be solo, with his band or with a symphony orchestra; Josh gives the fans everything they want (except maybe another two hours of him on stage). His performances are joyous, enriching, spooky and raucous. He can go from stompin' great tunes, to an entirely unplugged, ie: no amp, no mic, just sing to the audience and let them sing back, mood enhancing tune. And you know what? He seems to be genuinely happy; genuinely thankful to be there and genuinely surprised when he is heaped with adoration. Anyone who is willing to pay $200 to see one of the big touring acts is insane not to catch Josh in as intimate an environment as the West End Cultural Centre. Two tickets: around $50. Great beer at the hall, great acoustics and the performers, six feet away from you. That's rock 'n' roll. The opening act Basia Bulat is a genius with seemingly any stringed instrument. She has a beautiful voice, whether singing in English or Polish. Live, her voice sounds much better than it does on record, where I found her to be a bit too much like Natalie Merchant. She has a great voice and her producer should let her sound like she sounds on stage. I'd pay the same amount to see these two next week and the week after. It was fun, the crowd was great (you can't be miserable or mean at a Josh Ritter show), the hall was great, the price was right and the performance was brilliant. Since he's sold out the last two WECC shows, we'll see whether he's at The Burt next time. Go...seriously, go. You'll go home thinking, "How have I not seen this guy before". Brilliant.