Things Have Changed, but Dylan_not so much!
by JakeSombrero on 2011-08-11Constellation Brands Performing Arts Center - CMAC - Canandaigua"We've not seen Dylan for a while," my girlfriend remarked, as we approached the theatre in the Finger Lakes of NY state. The weather was clear, hardly humid, and that helped transmit the acoustics of Bob's terrific 5 piece accompanying band off the shell and onward to the upper reaches of the outdoor amphitheater. "He growls," she said. Yes, he does. He snarls, and growls, but then at the ends of phrases, his poetry swoons into a gorgeous lilt. For first timers to Dylan, the frustration will be that you sometimes can't hear exactly which lyrics are emanating through the growling snarl. The Tom Waitsish timbre to his sound is offset by his gorgeous harmonica, keyboard and guitar stylings that show Dylan's musicianship has not waned, but au contraire. He's stayed sharp, talented, tuned, toned, and in-the-music. It's not normal to hear an artist who is performing his own songs, in his own way, and coming from within the music rather than playing it. Dylan's storied poetic renditions of important moments are probably the most well known in America and globally. "What does it mean to him? Why would he do that?" my girlfriend kept wondering why his Academy Oscar Award is poised on top of an amplifier behind him. Won for the Waterboys song Things Have Changed, Dylan's pride in achieving the highest honor of the arts in America as a musician is not subtle. Here is a literary icon, a man whose name is more famous than he is, a prolific artist who defines "critical commentary in the name of social justice" as if it is a breakfast cereal. But there is nothing everyday about Dylan, except that he still performs about 150 shows each year. He performs, he says, because he is driven to do so. 25 parking attendants, 25 rodies, a 5-piece band, and a crowd of between 3000-5000 concert goers. He's still got it. J