Colin James rocks the NAC
by CanadaPat on 2010-02-01National Arts Centre - OttawaRating: 5 out of 5Picture this: A roly-poly 50-year-old woman with silver hair and bifocals sitting at a stop light in her little red Toyota. The car thuds and rocks rhythmically as "Keep on Loving Me" pounds through the car's cheap factory-issue speakers and the driver chair-dances with complete abandon behind the wheel.
That was me last night, listening to CHEZ 106's Concert After the Concert as I drove home after seeing Colin James at the National Arts Centre. There was nothing I wanted more after that concert than MORE Colin James. If any hip-hoppers had been around to witness it, they would have forever turned down their music and driven off with a serious identity crisis. Either that, or they'd have gotten a good laugh.
Last night was my sixth time seeing Colin James in concert, all six times here in Ottawa. Each show has been unique and completely enjoyable. The last time at the NAC, he was there with The Little Big Band. At Centrepointe Theatre last year he was alone on the stage with Craig Northey, completely acoustic. The acoustic show at the Rainbow club six or seven years ago was amazing. And the two times I've seen him at Bluesfest were, well, let's just say my bones weren't happy with me when I went home from THOSE concerts. One can only jump up and down with her fists in the air for so long before paying the price.
But that just points out one of the wonderful and unique things about Colin James's appeal...his audience. You look around and you see funky young women and bald old men and long-haired rockers and sophisticated older women and roadie types and every single one of them is having a blast.
Colin James just can't put on a bad show. The man is made of talent. Whether he's quietly picking away at his guitar as if there was no-one else in the room or pounding out one of his hits with every ounce of energy he and his band have in them, it's riveting and completely absorbing. And if a typical guitars, keyboards and drums band can be any more exciting, the addition of a horn section will do it. Oh man...will it ever. I spent half the evening riveted on the horns, which flashed in the light and blared their cries at the climactic moments of every song.
And even if he wasn't such an uber-talented guitarist, Colin James's electrifying voice would make even the most jaded music critic sit up and take notice. He confessed late in the show last night that he had actually lost his voice for a while a couple of hours earlier and wasn't sure if he'd be able to go on. Luckily for us, he's not just any singer and we didn't even realize he was having trouble singing until he admitted it out loud. And so when he let the audience sing most of the signature throat-busting "whooooaaaahh's" in "Keep on Loving Me" we felt like we were helping out and not just singing along, while Colin grinned a little sheepishly, but delightedly back at us.
It was a solid two-hours of great music, from all the band members, but especially from James, who changes guitars with almost every song. At one point, he brought out a sparkling new candy-apple-red guitar he told us he'd bought in Memphis Tennessee, and just played it for 30-seconds or so just because, it seemed, it made him happy to do so, to show off his new toy, and then he switched again and went on with the song with a different guitar.
As James admitted, with 13 albums under his belt, it can be difficult to decide what to play. It's a good problem to have, he said. He managed it well, playing six or seven songs off his new album, Rooftops and Satellites, and filling out with all his old favourites. There wasn't a slow moment in the show, and for once, I saw the staid old Ottawa audience was letting its inhibitions go a little, because all over the room, heads were bobbing and shoulders were bouncing and swaying time to the music.
A phenomenal show, as always, and I just hope he comes back soon, because as long as he keeps coming back, I'll keep going to see him.