Anastasia has its moments. The costumes are wonderful. So many costume changes. That must be hard for the performers to pull off (literally). The songs are catchy. What you might expect in terms of Broadway fare. The voices are strong, and fit that stereotypical Broadway pallette. Even the young Anastasia, while still a child, shows promise in that musical capabilities department.
My criticism, to be honest, has to do with the volume at which the show is amplified and staged. The venue I saw it at (the Calgary Jubilee Auditorium) is rather small. The sound levels would have been more appropriate for a venue five times its size (Rogers Centre in Toronto for example). These are expert singers with voices that can belt out a performance. Their microphone systems are very efficient at picking up every note. Why do we need to pretend that the audience can't hear those notes, and turn the amplifiers up to 11 in order to offer that oh so immersive (read: deafening) experience?
Surely, a touring company like Broadway Canada can recognize when they are in a small venue, versus a larger venue, and adjust the speakers/amplifiers accordingly? The Calgary Jubilee Auditorium has excellent acoustics. It's not like you need to "crank it" so that the people in the upper rafters can hear. There was no need for the volume levels to climb as high as they did at times. This isn't isolated to this one performance (Anastasia) either. For whatever reason, it seems that when touring companies play a smaller venue like the Calgary Jubilee Auditorium, they all forget it is a much smaller venue. The same could be said of the performance of Hamilton last year. You shouldn't have to reach for ear plugs to keep things reasonable. I like immersive experiences as much as the next person, but not when it means I am risking permanent hearing loss.
Which begs the question: Where is the Acoustics Engineer in all of this? Where is the person who knows how to adjust the sound for a smaller/larger space? Do touring companies no longer hire those people? It seems like the trend of the past 20 years is to make everything louder and louder, to give the audience something that they will remember. Permanent tinnitus shouldn't be that something.