Haunting Hammond Organ drifts up to the threshold of hearing, swelling, morphing into the opening guitar chords of The Hazards of Love 1 ( The prettiest whistles won't wrestle the thistles undone ) and so Colin Meloy draws the audience through the eye of the needle
into a bizarrely dark and effervescent world. Technically the Decemberists were almost perfect in matching the chord progressions, tempo changes and intricate vocal play that mark this album as one artistic gem constructed from many. The album runs about 58 minutes, the live performance of the same ran about 58 minutes, every moment was accounted for in spectacular sparkle. The drums were crucial particularily in The Rake, when 4 band members each held court with two drums, lead by the drum kit magic of John Moen that propelled this dark intentioned song into a demented groove...delicious. Additional presence by Lavender Diamond's Becky Stark and My Brightest Diamond's Shara Worden deliver the lead vocals for the female characters in shattering brilliance.
Frontman Meloy was the watchmen along the tower, patrolling the stage with elegance and confidence, troubadourily inclined, spinning the tale both musically and lyrically. The Wanting Comes in Waves, is more than the title of a song near the end of the album and set, it was a final coda in my mind, wanting, needing more, left ultimately drained and
slightly unsatisfied when the peddle steel guitar aptly appointed, hauntingly underscores Meloys acoustic guitar picking. Needed more...got more in the 2nd set. Got much more in the encore, from reenactments of how Vancouver was discoverd in 1496 (?) fast and loose and funny history with band members moshing into the crowd, propelled by Meloy's audience interaction, to a screamingly splendid cover of Heart's Crazy on You, by Stark and Worden, soaring through the packed theatre. It was hot, humid splendid performance, one vancouver audiences haven't been treated to in years...come again Decemberists,soon,please...Thank you.